Beckett-King creates his own off-kilter take on the world, surreal and familiar, bizarre and still immediately recognisable. Why not shorten a Shakespeare play into the 150 most used words? (The result is both gibberish and deeply meaningful.) How would Poirot handle an embarrassing situation in a train toilet? Do goths have a choice? These are the big questions ABK wants to answer for us.
There's a bit of audience interaction, but he's far too charming for anyone to feel alienated. There's whimsy, silliness and the odd sharp social and political observation. Nothing too explicit, but the sub text is clear. ABK is one of the good guys.
And one of the funny guys. I laughed constantly at the inventiveness and otherworldly cohesion of his sideways view on our world.
If you've not discovered ABK yet, now is the time. One of the lesser known jewels of the Fringe.
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