Duo Emily Kelly and Graham Coe don't fit neatly into any genre, absorbing folk, pop, blue and country into their eclectic style. Playing mostly self penned numbers, and some imaginatively reworked covers, they deliver a surprise package to anyone who's not had the pleasure of seeing them before.
Both are accomplished vocalists and play guitar and mandolin. But the elements which do most to make Jellyman's so unique are Kelly's sweet, but ofttimes bluesy voice, and Coe's remarkable technique and mastery on the cello. Perhaps not the first instrument you'd usually look to for folky inspiration, but Coe can make it bend to the role of bass, strings section, lead guitar and, using his dramatic chopping style, percussion. It's an impressive performance to watch.
Their first half was mostly new material, much of it destined for a forthcoming second album early next year, while the second was largely familiar to their existing fans and included the best cover of a Beatles song you may ever hear. There's still some work to be done on developing a stronger live stage presence, with the introductions seeming almost apologetic at times. A shame as there are some good stories behind many of their songs.
But that's a minor carp. The Jellyman's Daughter are a genuine original. Don't miss out on seeing them if you get the chance.
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